HISTORY OF MODERN ART-I
- Course
- VICD209 - HISTORY OF MODERN ART-I
- Department
- Visual Communication Design - English - Undergraduate
- Course Type
- Course
- Status
- Required
- Language
- English
- Credit
- 3
- ECTS
- 4
- T+P+L
- 3 + 0 + 0
- Course Coordinator(s)
- -
- Prerequisite
- -
Course Description
History of Modern Art I course aims to teach students a comprehensive survey of the modern period in art, beginning in the early 19th century and continuing through the various styles, and art movements of the 20th century. 19. century social, economic and political condition and goes to the field in art. After the observations necessary for analysing the emergence of modern art and its differences from the previous art periods, History of Modern Art I course focuses on the movements such as impressionism, cubism, expressionism, futurism, constructivism, Dadaism, surrealism, fauvism, abstract impressionism, pop-art, and distinctive styles emerged within these movements.
HISTORY OF MODERN ART-I
Evaluation Tools (Active Term)
No evaluation items have been defined.
Course outcomes
- 01 To identify development of modern art.
- 02 To assess different modern art movements.
- 03 To analyse the techniques used in different modern art movements.
- 04 To evaluate views on modern art movements.
Course Syllabus
| Week | Topic |
|---|---|
| Week 1 | Introduction to Modern Art |
| Week 2 | The Origins of Modern Art |
| Week 3 | The Birth of Modern Art |
| Week 4 | Impressionism |
| Week 5 | Post-Impressionism |
| Week 6 | The Birth of Abstraction |
| Week 7 | Fauvism and Expressionism |
| Week 8 | Midterm |
| Week 9 | Cubism |
| Week 10 | Futurism and Constructivism |
| Week 11 | Dadaism |
| Week 12 | Surrealism |
| Week 13 | Introduction to Postmodernism |
| Week 14 | Artistic movements |
| Week 15 | The Legacy of Modern Art Movements |
Reference Books & Course Materials
- 01 Helen Gardner (1959), Art Through the Ages, Harcourt, Brace
- 02 Dietmar Elger, et al (2016), Modern Art: 1870 - 2000: Impressionism to Today, Taschen America Llc
- 03 Arnason H. H, et al (2012), History of Modern Art, Pearson; 7th edition
- 04 David Cateforis (2023), Modern Art: A Global Survey from the Mid-Nineteenth Century to the Present, Oxford University Press
Learning Outcomes
- L01 to define development of modern art. SOLO 2.7
- L02 to express different modern art movements. SOLO 3.5
- L03 To analyze the techniques used in different modern art movements SOLO 4
- L04 to compare views on modern art movements. SOLO 4
Program Outcomes
- P01 Students know the stages of production of radio, television and cinema productions, have the ability and competence to plan and implement work in the stages of production.
- P02 Students know the basic working principles and operations of audiovisual production tools, have the ability to effectively use these tools in the production process of radio, television and cinema productions.
- P03 Students have knowledge about theories in the field of radio, television and cinema.
- P04 Students know the historical development process of radio, television and cinema in the world and in Turkey.
- P05 Students know the legislation governing the field of radio, television and cinema, national and international professional organizations and ethical principles.
- P06 Students know the types of programs in radio and television broadcasting.
- P07 Students know the genres and trends of Cinema.
- P08 Students know the methods of analyzing and evaluating messages in audio and visual environments.
- P09 Students prepare, design and implement project proposals for radio, television and cinema projects suitable for different broadcasting environments.
- P10 Students know the techniques of writing scripts, have the ability to write scripts and prepare a shooting script.
- P11 Students have the ability to make sound and image editing, apply it in the fields of digital sound design, image design and visual effects use in field-specific content production.
- P12 Students have the ability to consider, analyze and evaluate the social, economic, political, cultural, etc. effects of media content in written, audio and visual environments from a critical point of view.
- P13 Students have the competence to design and produce programs and/or make films in the field of radio, television and cinema.
- P14 Students are proficient in the basic principles of Image aesthetics, visual design, cinematographic language/expression and composition.
- P15 Students have knowledge about Radio and Television management.
- P16 Students know the standards in field-specific products.
- P17 Students are proficient in collaborating for joint work and production in the field of radio, television and cinema.
Po-Lo Matrix
| LO | P01 | P02 | P03 | P04 | P05 | P06 | P07 | P08 | P09 | P10 | P11 | P12 | P13 | P14 | P15 | P16 | P17 | Average |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| L01 | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L02 | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L03 | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L04 | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - |