HISTORY OF ART AND CULTURE
- Course
- VICD106 - HISTORY OF ART AND CULTURE
- Department
- Visual Communication Design - English - Undergraduate
- Course Type
- Course
- Status
- Required
- Language
- English
- Credit
- 3
- ECTS
- 5
- T+P+L
- 3 + 0 + 0
- Course Coordinator(s)
- -
- Prerequisite
- -
Course Description
The course focuses on the history of art and culture. In this scope History of Art and Culture introduces the developments and concepts related to development of art and culture. Variety of fields such as painting, sculpture, drama, music, literature and architecture are discussed within a socioeconomic and political context; to give the student a total understanding of a particular time and place in history. Students are expected to have an awareness about the development and chronology of the art-historical periods and of distinctive styles. Within this perspective this course starts with first human being efforts in terms of art and continues towards to the current times where art and culture interactions become more complicated and less immediate.
HISTORY OF ART AND CULTURE
Evaluation Tools (Active Term)
No evaluation items have been defined.
Course outcomes
- 01 to define modern art and its historical development.
- 02 to analyse of different approaches in the history of modern art.
- 03 to develop critical approach on artistic styles emerged in the modern period.
Course Syllabus
| Week | Topic |
|---|---|
| Week 1 | Stone Age (30,000 b.c.–2500 b.c.) & Mesopotamian (3500 b.c.–539 b.c.) |
| Week 2 | Egyptian (3100 b.c.–30 b.c.) |
| Week 3 | Greek and Hellenistic (850 b.c.–31 b.c.) & Roman (500 b.c.– a.d. 476) |
| Week 4 | Persian Empire (550- 330 b. c.) |
| Week 5 | Indian, Chinese, and Japanese (653 b.c.–a.d. 1900) |
| Week 6 | Byzantine and Islamic (a.d. 476–a.d.1453) & Middle Ages (500–1400) |
| Week 7 | Early and High Renaissance (1400–1550) |
| Week 8 | Venetian and Northern Renaissance (1430–1550) |
| Week 9 | Mannerism (1527–1580) & Baroque (1600–1750) |
| Week 10 | Neoclassical (1750–1850), Romanticism (1780–1850) & Realism (1848–1900) |
| Week 11 | Impressionism (1865–1885) & Post-Impressionism (1885–1910) |
| Week 12 | Fauvism and Expressionism (1900–1935), Cubism, Futurism, Supremativism, Constructivism, De Stijl (1905–1920) |
| Week 13 | Dada and Surrealism (1917–1950) |
| Week 14 | Abstract Expressionism (1940s–1950s) and Pop Art (1960s) |
| Week 15 | Postmodernism and Deconstructivism (1970–) |
Reference Books & Course Materials
- 01 "The Story of Art", E. H. Gombrich, Phaidon Press; 16th edition (21 July 2007)
- 02 "Art history: A critical introduction to its methods", Michael Hatt & Charlotte Klonk, Manchester University Press; Illustrated edition (3 Sept. 2006)
- 03 "Culture: The surprising connections and influences between civilisations. ‘Genius' - William Dalrymple", Martin Puchner, Ithaka; 1st edition (1 Feb. 2024)
- 04 "Amazing Ancient Art: A Seek-and-Find Activity Book" Aleksandra Artymowska, Templar Publishing (22 July 2021)
Learning Outcomes
- L01 Define(2) modern art and its historical development. SOLO 2
- L02 Analyse(4) of different approaches in the history of modern art. SOLO 4
- L03 Develop(5) critical approach on artistic styles emerged in the modern period. SOLO 5
- L04 Define(2) art movements and their historical development. SOLO 2
- L05 Define prehistoric times SOLO 2
- L06 Describe ancient times art and culture SOLO 3
- L07 Compare the significant art and architecture of ancient times SOLO 4
- L08 Recognize the ancient art and architecture styles SOLO 2
Program Outcomes
- P01 Integrate knowledge of interior architecture principles, spatial organization, and visual perception to develop user-centered, functional, aesthetically enriching, and innovative spatial solutions.
- P02 Analyze and evaluate the relationships among user needs, functional constraints, ergonomics, accessibility, and universal design principles to develop interior architecture solutions across different design scales and contexts.
- P03 Research, analyze, and relate historical, cultural, and theoretical knowledge to justify design decisions that respect local values while responding to global cultural diversity.
- P04 Communicate design ideas effectively by integrating visual communication tools, manual and digital representation techniques, and appropriate digital technologies, including artificial intelligence-assisted visualization methods, where appropriate.
- P05 Evaluate and synthesize appropriate materials, color schemes, lighting, and furniture systems using up-to-date technologies and aesthetic principles to shape experiential atmospheres.
- P06 Integrate environmental responsibility, occupant health, and ethical principles to develop sustainable, safe, and healthy interior architecture solutions and justify design decisions.
- P07 Collaborate and coordinate with professionals from architecture, landscape architecture, engineering, and related disciplines by integrating multidisciplinary knowledge to develop comprehensive spatial solutions.
- P08 Critically evaluate research, contemporary approaches, and artificial intelligence-assisted design and research methods to generate innovative knowledge and design solutions while sustaining lifelong learning and professional development.
- P09 Justify professional decisions by integrating ethical principles, cultural, societal, and aesthetic responsibilities with the responsible, legal, and ethical use of digital technologies, including artificial intelligence.
- P10 Plan, manage, and evaluate interior architecture projects by integrating technical systems, user-centered design methods, regulatory requirements, and contemporary digital project management and design technologies.
- P11 Evaluate and reinterpret existing and historic interiors by integrating conservation principles, adaptive reuse strategies, and digital documentation techniques to support cultural continuity and sustainable heritage conservation.
- P12 Integrate inclusive and socially responsible design approaches with entrepreneurship, lifelong learning, professional collaboration, and adaptation to technological transformation to contribute to the sustainable advancement of the profession and society.
Po-Lo Matrix
| LO | P01 | P02 | P03 | P04 | P05 | P06 | P07 | P08 | P09 | P10 | P11 | P12 | Average |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| L01 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L02 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L03 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L04 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L05 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L06 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L07 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L08 | - | - | - | - | - | - | - | - | - | - | - | - | - |