HISTORY OF CINEMA
- Course
- RTVC361 - HISTORY OF CINEMA
- Department
- Radio, Television and Cinema - English - Undergraduate
- Course Type
- Course
- Status
- Required
- Language
- English
- Credit
- 3
- ECTS
- 5
- T+P+L
- 3 + 0 + 0
- Course Coordinator(s)
- Asst. Prof. Dr. Göral Erinç FUNDALAR
- Prerequisite
- -
- Keywords
Course Description
This course is designed to equip students with a foundational knowledge of film history which they will be able to develop either through further academic study or though their own initiative. The course provides an overview of the history of cinema, focusing on major cultural and creative traditions that have influenced the global development of the medium from the late nineteenth century to the present. The course topics will include Soviet cinema in the 1920s, Italian Neorealism in the 1940s, the French New Wave in the 1950s and 1960s, and the emergence of the digital technologies in the present era.
HISTORY OF CINEMA
Evaluation Tools (Active Term)
| Item | Type | Weight (%) |
|---|---|---|
| Midterm Exam | Midterm | 40 |
| Final Exam | Final | 50 |
| Homework | Assignment | 10 |
| Total | 100 | |
Course outcomes
- 01 The students will be able to recite the historical development of cinema in a variety of national contexts.
- 02 The students will be able to identify major developments in the cinema and relate them to a broader context.
Course Syllabus
| Week | Topic |
|---|---|
| Week 1 | Introduction |
| Week 2 | The Invention and Early Years of Cinema |
| Week 3 | Three Directors at the Beginning - Melies, Porter and Griffith |
| Week 4 | Charlie Chaplin |
| Week 5 | German Cinema in the 1920s: German Expressionism |
| Week 6 | German Cinema in the 1920s: German Expressionism - 2 |
| Week 7 | Soviet Cinema in the 1920s: Montage Movement |
| Week 8 | MIDTERM EXAMS |
| Week 9 | MIDTERM EXAMS |
| Week 10 | The Avant-Garde (Modernist) Movements in Cinema |
| Week 11 | Postwar European Cinema: Italian Neorealism |
| Week 12 | Postwar European Cinema: Italian Neorealism - 2 |
| Week 13 | Europe in 1960s: French New Wave and The Left Bank |
| Week 14 | Europe in 1960s: French New Wave and The Left Bank - 2 |
| Week 15 | FINAL EXAMS |
Reference Books & Course Materials
- 01 Thompson, K. and Bordwell, D. (2009). Film History: An Introduction. New York: McGraw Hill.
Learning Outcomes
- L01 Recites the historical development of cinema in a variety of national contexts. SOLO 3
- L02 Recognize and differentiate films of different genres and movements based on their formal characteristics. SOLO 3
- L03 Develop a sense of how art, history, society, technological developments and economy are interrelated. SOLO 5
- L04 Identifies major developments in the cinema and relate them to a broader context. SOLO 3
- L05 Reflect their acquired sense of artistic development on their own creative projects. SOLO 5
Program Outcomes
- P01 Integrate knowledge of interior architecture principles, spatial organization, and visual perception to develop user-centered, functional, aesthetically enriching, and innovative spatial solutions.
- P02 Analyze and evaluate the relationships among user needs, functional constraints, ergonomics, accessibility, and universal design principles to develop interior architecture solutions across different design scales and contexts.
- P03 Research, analyze, and relate historical, cultural, and theoretical knowledge to justify design decisions that respect local values while responding to global cultural diversity.
- P04 Communicate design ideas effectively by integrating visual communication tools, manual and digital representation techniques, and appropriate digital technologies, including artificial intelligence-assisted visualization methods, where appropriate.
- P05 Evaluate and synthesize appropriate materials, color schemes, lighting, and furniture systems using up-to-date technologies and aesthetic principles to shape experiential atmospheres.
- P06 Integrate environmental responsibility, occupant health, and ethical principles to develop sustainable, safe, and healthy interior architecture solutions and justify design decisions.
- P07 Collaborate and coordinate with professionals from architecture, landscape architecture, engineering, and related disciplines by integrating multidisciplinary knowledge to develop comprehensive spatial solutions.
- P08 Critically evaluate research, contemporary approaches, and artificial intelligence-assisted design and research methods to generate innovative knowledge and design solutions while sustaining lifelong learning and professional development.
- P09 Justify professional decisions by integrating ethical principles, cultural, societal, and aesthetic responsibilities with the responsible, legal, and ethical use of digital technologies, including artificial intelligence.
- P10 Plan, manage, and evaluate interior architecture projects by integrating technical systems, user-centered design methods, regulatory requirements, and contemporary digital project management and design technologies.
- P11 Evaluate and reinterpret existing and historic interiors by integrating conservation principles, adaptive reuse strategies, and digital documentation techniques to support cultural continuity and sustainable heritage conservation.
- P12 Integrate inclusive and socially responsible design approaches with entrepreneurship, lifelong learning, professional collaboration, and adaptation to technological transformation to contribute to the sustainable advancement of the profession and society.
Po-Lo Matrix
| LO | P01 | P02 | P03 | P04 | P05 | P06 | P07 | P08 | P09 | P10 | P11 | P12 | Average |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| L01 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L02 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L03 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L04 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L05 | - | - | - | - | - | - | - | - | - | - | - | - | - |