FILM ANALYSIS
- Course
- RTVC342 - FILM ANALYSIS
- Department
- Radio, Television and Cinema - English - Undergraduate
- Course Type
- Course
- Status
- Required
- Language
- English
- Credit
- 3
- ECTS
- 5
- T+P+L
- 3 + 0 + 0
- Course Coordinator(s)
- -
- Prerequisite
- -
- Keywords
Course Description
This course is designed to provide students with an introduction to film analysis. Students will examine the ways in which meaning is constructed in cinema by looking at the various techniques employed by filmmakers and the manner in which these elements operate as a formal system. The course will stress the importance of close textual analysis of individual scenes, while also emphasizing the need to look at films as a whole. A range of films will be viewed in class, although for the sake of coherence the majority will be Hollywood productions from the 1940s and 1950s, in particular the cinema of Alfred Hitchcock.
FILM ANALYSIS
Evaluation Tools (Active Term)
No evaluation items have been defined.
Course outcomes
- 01 Apply critical skills in the analysis of films
- 02 Evaluate the techniques used by filmmakers to create meaning in cinema.
- 03 Critically reflect on the relationship between films and a variety of aesthetic contexts
- 04 Implement independent research based on appropriate research questions, using and evaluating a range of material in order to arrive at conclusions
- 05 Express this knowledge in a scholarly manner using academic and non-academic sources
Course Syllabus
| Week | Topic |
|---|---|
| Week 1 | Introduction |
| Week 2 | Introduction to Film Form - Strangers on a Train (1953) |
| Week 3 | Narrative I - North By Northwest (1956) |
| Week 4 | Narrative II |
| Week 5 | Mise-en-scene I |
| Week 6 | Mise-en-scene II and Rear Window (1954) |
| Week 7 | Rear Window and exam preparation |
| Week 8 | Midterm exam |
| Week 9 | Cinematography I |
| Week 10 | Cinematography II |
| Week 11 | Editing - Psycho (1960) |
| Week 12 | Sound and Music |
| Week 13 | Film Style - The Grand Budapest Hotel (2012) |
| Week 14 | Course review |
| Week 15 | Exam preparation |
Reference Books & Course Materials
- 01 David Bordwell and Kirstin Thompson, Film Art: An Introduction (New York: McGraw Hill, 8th Edition, 2008)
Learning Outcomes
- L01 Apply critical skills in the analysis of films. SOLO 4
- L02 Evaluate the techniques used by filmmakers to create meaning in cinema. SOLO 5
- L03 Implement independent research based on appropriate research questions, using and evaluating a range of material in order to arrive at conclusions. SOLO 4
- L04 Express this knowledge in a scholarly manner using academic and non-academic sources SOLO 3
Program Outcomes
- P01 have knowledge which is supported by up-to-date primary and secondary course books and application tools in the field of Visual Communication Design
- P02 have technical knowledge necessary for the field of Visual Communication Design
- P03 Have knowledge about universal human rights, social justice, quality management, environmental protection, and workplace health.
- P04 S/he visualises imagined things in a coherent structure
- P05 S/he defines the problems related to communication and finds possible solutions for these problems.
- P06 S/he has skills to manage a project/work related to Visual Communication Design independently.
- P07 S/he develops and applies projects and activities related with his/her social environment with an awareness of social responsibility.
- P08 S/he designates and manages the requirements and processes of learning.
- P09 S/he, equipped with advanced knowledge and skills in Visual Communication Design education, who interprets and evaluates data, identifies and analyses problems and finds solutions based on research and facts.
- P10 S/he can take responsibility as an individual and a team member in complex and unforeseen problems related to Visual Communication Design projects.
- P11 S/he plans, manages and finishes a media content under time restrictions.
- P12 S/he approaches advanced knowledge and skills from a critical perspective.
- P13 S/he is aware that the Visual Communication Design Department has close ties with new technological developments and also aware of the importance of pursuing these developments which have vital importance for creating new media content.
- P14 S/he is a person who informs and expresses thoughts for possible solutions related with Visual Communication Design contents prepared for related individuals and organisations.
- P15 S/he shares developments and data related to Visual Communication Design with specialists and non-specialists
- P16 S/he acts in Visual Communication Design projects in accordance with social, scientific, cultural and ethical norms.
Po-Lo Matrix
| LO | P01 | P02 | P03 | P04 | P05 | P06 | P07 | P08 | P09 | P10 | P11 | P12 | P13 | P14 | P15 | P16 | Average |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| L01 | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L02 | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L03 | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L04 | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - |