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TR

FILM ANALYSIS

Course
RTVC342 - FILM ANALYSIS
Department
Radio, Television and Cinema - English - Undergraduate
Course Type
Course
Status
Required
Language
English
Credit
3
ECTS
5
T+P+L
3 + 0 + 0
Course Coordinator(s)
-
Prerequisite
-
Keywords

Course Description

This course is designed to provide students with an introduction to film analysis. Students will examine the ways in which meaning is constructed in cinema by looking at the various techniques employed by filmmakers and the manner in which these elements operate as a formal system. The course will stress the importance of close textual analysis of individual scenes, while also emphasizing the need to look at films as a whole. A range of films will be viewed in class, although for the sake of coherence the majority will be Hollywood productions from the 1940s and 1950s, in particular the cinema of Alfred Hitchcock.

FILM ANALYSIS

Evaluation Tools (Active Term)

No evaluation items have been defined.

Course outcomes

  1. 01 Apply critical skills in the analysis of films
  2. 02 Evaluate the techniques used by filmmakers to create meaning in cinema.
  3. 03 Critically reflect on the relationship between films and a variety of aesthetic contexts
  4. 04 Implement independent research based on appropriate research questions, using and evaluating a range of material in order to arrive at conclusions
  5. 05 Express this knowledge in a scholarly manner using academic and non-academic sources

Course Syllabus

Week Topic
Week 1 Introduction
Week 2 Introduction to Film Form - Strangers on a Train (1953)
Week 3 Narrative I - North By Northwest (1956)
Week 4 Narrative II
Week 5 Mise-en-scene I
Week 6 Mise-en-scene II and Rear Window (1954)
Week 7 Rear Window and exam preparation
Week 8 Midterm exam
Week 9 Cinematography I
Week 10 Cinematography II
Week 11 Editing - Psycho (1960)
Week 12 Sound and Music
Week 13 Film Style - The Grand Budapest Hotel (2012)
Week 14 Course review
Week 15 Exam preparation

Reference Books & Course Materials

  1. 01 David Bordwell and Kirstin Thompson, Film Art: An Introduction (New York: McGraw Hill, 8th Edition, 2008)

Learning Outcomes

  1. L01 Apply critical skills in the analysis of films. SOLO 4
  2. L02 Evaluate the techniques used by filmmakers to create meaning in cinema. SOLO 5
  3. L03 Implement independent research based on appropriate research questions, using and evaluating a range of material in order to arrive at conclusions. SOLO 4
  4. L04 Express this knowledge in a scholarly manner using academic and non-academic sources SOLO 3

Program Outcomes

  1. P01 have knowledge which is supported by up-to-date primary and secondary course books and application tools in the field of Visual Communication Design
  2. P02 have technical knowledge necessary for the field of Visual Communication Design
  3. P03 Have knowledge about universal human rights, social justice, quality management, environmental protection, and workplace health.
  4. P04 S/he visualises imagined things in a coherent structure
  5. P05 S/he defines the problems related to communication and finds possible solutions for these problems.
  6. P06 S/he has skills to manage a project/work related to Visual Communication Design independently.
  7. P07 S/he develops and applies projects and activities related with his/her social environment with an awareness of social responsibility.
  8. P08 S/he designates and manages the requirements and processes of learning.
  9. P09 S/he, equipped with advanced knowledge and skills in Visual Communication Design education, who interprets and evaluates data, identifies and analyses problems and finds solutions based on research and facts.
  10. P10 S/he can take responsibility as an individual and a team member in complex and unforeseen problems related to Visual Communication Design projects.
  11. P11 S/he plans, manages and finishes a media content under time restrictions.
  12. P12 S/he approaches advanced knowledge and skills from a critical perspective.
  13. P13 S/he is aware that the Visual Communication Design Department has close ties with new technological developments and also aware of the importance of pursuing these developments which have vital importance for creating new media content.
  14. P14 S/he is a person who informs and expresses thoughts for possible solutions related with Visual Communication Design contents prepared for related individuals and organisations.
  15. P15 S/he shares developments and data related to Visual Communication Design with specialists and non-specialists
  16. P16 S/he acts in Visual Communication Design projects in accordance with social, scientific, cultural and ethical norms.

Po-Lo Matrix

LO P01 P02 P03 P04 P05 P06 P07 P08 P09 P10 P11 P12 P13 P14 P15 P16 Average
L01 - - - - - - - - - - - - - - - - -
L02 - - - - - - - - - - - - - - - - -
L03 - - - - - - - - - - - - - - - - -
L04 - - - - - - - - - - - - - - - - -