CONTEMPORARY WORLD CINEMA

Course Description

This course offers a partial survey of key developments in cinema culture over the past ten years. Rather than attempting to examine world cinema in its entirety, the focus will be limited to their production in Europe, the Middle East and Asia. The films under consideration might be regarded as outstanding or ground-breaking examples of film art, but they can also be understood as products of specific cultures. The films are therefore being studied in their cultural and historical contexts. Although this course progresses on a largely country-by-country basis, it also emphasises the globalised nature of contemporary cinema and the transnational arrangements that underpin many films produced around the world.

CONTEMPORARY WORLD CINEMA

Evaluation Tools (Active Term)

No evaluation items have been defined.

Course outcomes

No course outcomes have been defined yet.

Course Syllabus

Reference Books & Course Materials

1. 01 Nataša Durovicová and Kathleen E. Newman (eds.), World Cinemas, Transnational Perspectives. Routledge, 2010.
2. 02 Rob Stone (ed), The Routledge Companion to World Cinema. Routledge, 2018.

Learning Outcomes

1. L01 Analyze (4) how contemporary world cinema from diverse regions explores themes of sustainable development, including environmental concerns, social inequality, and economic justice. SOLO 4
2. L02 Explain (4) the ways in which filmmakers use cinematic techniques (mise-en-scène, cinematography, editing, etc.) to convey messages related to sustainability challenges and potential solutions. SOLO 4
3. L03 Evaluate (5) the intersection of sustainable development with other disciplines as reflected in selected films, developing an interdisciplinary understanding of complex global issues. SOLO 5
4. L04 Synthesize (5) insights gained from course material to propose creative strategies for how film can raise awareness, promote dialogue, and inspire action towards achieving Sustainable Development Goals SOLO 5

Program Outcomes

1. P01 Students know the stages of production of radio, television and cinema productions, have the ability and competence to plan and implement work in the stages of production.
2. P02 Students know the basic working principles and operations of audiovisual production tools, have the ability to effectively use these tools in the production process of radio, television and cinema productions.
3. P03 Students have knowledge about theories in the field of radio, television and cinema.
4. P04 Students know the historical development process of radio, television and cinema in the world and in Turkey.
5. P05 Students know the legislation governing the field of radio, television and cinema, national and international professional organizations and ethical principles.
6. P06 Students know the types of programs in radio and television broadcasting.
7. P07 Students know the genres and trends of Cinema.
8. P08 Students know the methods of analyzing and evaluating messages in audio and visual environments.
9. P09 Students prepare, design and implement project proposals for radio, television and cinema projects suitable for different broadcasting environments.
10. P10 Students know the techniques of writing scripts, have the ability to write scripts and prepare a shooting script.
11. P11 Students have the ability to make sound and image editing, apply it in the fields of digital sound design, image design and visual effects use in field-specific content production.
12. P12 Students have the ability to consider, analyze and evaluate the social, economic, political, cultural, etc. effects of media content in written, audio and visual environments from a critical point of view.
13. P13 Students have the competence to design and produce programs and/or make films in the field of radio, television and cinema.
14. P14 Students are proficient in the basic principles of Image aesthetics, visual design, cinematographic language/expression and composition.
15. P15 Students have knowledge about Radio and Television management.
16. P16 Students know the standards in field-specific products.
17. P17 Students are proficient in collaborating for joint work and production in the field of radio, television and cinema.

Po-Lo Matrix