HISTORY OF CINEMA
- Course
- RTVC361 - HISTORY OF CINEMA
- Department
- Radio, Television and Cinema - English - Undergraduate
- Course Type
- Course
- Status
- Required
- Language
- English
- Credit
- 3
- ECTS
- 5
- T+P+L
- 3 + 0 + 0
- Course Coordinator(s)
- Asst. Prof. Dr. Göral Erinç FUNDALAR
- Prerequisite
- -
- Keywords
Course Description
This course is designed to equip students with a foundational knowledge of film history which they will be able to develop either through further academic study or though their own initiative. The course provides an overview of the history of cinema, focusing on major cultural and creative traditions that have influenced the global development of the medium from the late nineteenth century to the present. The course topics will include Soviet cinema in the 1920s, Italian Neorealism in the 1940s, the French New Wave in the 1950s and 1960s, and the emergence of the digital technologies in the present era.
HISTORY OF CINEMA
Evaluation Tools (Active Term)
| Item | Type | Weight (%) |
|---|---|---|
| Midterm Exam | Midterm | 40 |
| Final Exam | Final | 50 |
| Homework | Assignment | 10 |
| Total | 100 | |
Course outcomes
- 01 The students will be able to recite the historical development of cinema in a variety of national contexts.
- 02 The students will be able to identify major developments in the cinema and relate them to a broader context.
Course Syllabus
| Week | Topic |
|---|---|
| Week 1 | Introduction |
| Week 2 | The Invention and Early Years of Cinema |
| Week 3 | Three Directors at the Beginning - Melies, Porter and Griffith |
| Week 4 | Charlie Chaplin |
| Week 5 | German Cinema in the 1920s: German Expressionism |
| Week 6 | German Cinema in the 1920s: German Expressionism - 2 |
| Week 7 | Soviet Cinema in the 1920s: Montage Movement |
| Week 8 | MIDTERM EXAMS |
| Week 9 | MIDTERM EXAMS |
| Week 10 | The Avant-Garde (Modernist) Movements in Cinema |
| Week 11 | Postwar European Cinema: Italian Neorealism |
| Week 12 | Postwar European Cinema: Italian Neorealism - 2 |
| Week 13 | Europe in 1960s: French New Wave and The Left Bank |
| Week 14 | Europe in 1960s: French New Wave and The Left Bank - 2 |
| Week 15 | FINAL EXAMS |
Reference Books & Course Materials
- 01 Thompson, K. and Bordwell, D. (2009). Film History: An Introduction. New York: McGraw Hill.
Learning Outcomes
- L01 Recites the historical development of cinema in a variety of national contexts. SOLO 3
- L02 Recognize and differentiate films of different genres and movements based on their formal characteristics. SOLO 3
- L03 Develop a sense of how art, history, society, technological developments and economy are interrelated. SOLO 5
- L04 Identifies major developments in the cinema and relate them to a broader context. SOLO 3
- L05 Reflect their acquired sense of artistic development on their own creative projects. SOLO 5
Program Outcomes
- P01 Demonstrate an understanding of the core subfields of psychology — including but not limited to clinical, developmental, cognitive, social, and biological/neuroscientific psychology — and their interconnections with other scientific disciplines, critically evaluating the value of a multidisciplinary approach to scientific inquiry in psychology.
- P02 Apply scientific methods, research techniques, measurement and psychometric principles (e.g., reliability, validity, scale development/adaptation), and quantitative/statistical reasoning to investigate psychological phenomena, recognizing methodological strengths, limitations, common reasoning fallacies, and the flaws of pseudoscience.
- P03 Employ logical, intuitive, and creative thinking to analyze psychological concepts, evaluate theories (including their historical and philosophical development), synthesize information, and solve complex problems related to cognition and behavior.
- P04 Integrate psychological theories and findings into practical settings (e.g., business, policy, clinical/counseling contexts, and daily life), applying foundational applied skills such as interviewing, observation, and case formulation, drawing meaningful conclusions to inform individual, organizational, and societal practices.
- P05 Describe key ethical principles in psychological research and practice, critically applying these principles to dilemmas across academic, professional, and everyday contexts.
- P06 Recognize how individual differences (e.g., beliefs, values, backgrounds) impact behavior and relationships; use psychological knowledge to prevent or resolve intercultural and interpersonal conflicts and promote inclusive, respectful interactions.
- P07 Exhibit self-regulation and self-awareness, demonstrating a commitment to psychological well-being, effective time management, constructive incorporation of feedback, and ongoing personal and professional development.
- P08 Collaborate effectively in diverse teams, demonstrating responsibility, bias awareness, conflict resolution skills, and leadership in achieving collective goals.
- P09 Communicate psychological knowledge clearly and appropriately for academic, professional, and public audiences using inclusive language, both in written and oral formats, and by accurately summarizing and presenting research findings.
- P10 Use information and communication technologies (including AI and digital media) responsibly and effectively for research, collaboration, and the dissemination of psychological knowledge.
- P11 Embrace lifelong learning and adaptability in response to evolving psychological knowledge and societal needs, engaging with global perspectives and demonstrating intercultural awareness.
Po-Lo Matrix
| LO | P01 | P02 | P03 | P04 | P05 | P06 | P07 | P08 | P09 | P10 | P11 | Average |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| L01 | - | - | - | - | - | - | - | - | - | - | - | - |
| L02 | - | - | - | - | - | - | - | - | - | - | - | - |
| L03 | - | - | - | - | - | - | - | - | - | - | - | - |
| L04 | - | - | - | - | - | - | - | - | - | - | - | - |
| L05 | - | - | - | - | - | - | - | - | - | - | - | - |