HISTORY OF GRAPHIC DESIGN
- Course
- GRDE311 - HISTORY OF GRAPHIC DESIGN
- Department
- Graphic Design - English - Undergraduate
- Course Type
- Course
- Status
- Required
- Language
- English
- Credit
- 2
- ECTS
- 2
- T+P+L
- 2 + 0 + 0
- Course Coordinator(s)
- Asst. Prof. Dr. Gürkan GÖKAŞAN
- Prerequisite
- -
Course Description
The course concerns with the history of graphic design beginning from the first representations of visual communication. Students get a general information about the evolution of graphic design in different realms. Gutenberg's print press is a milestone. Arts and Crafts Movement, Art Nouveau, the effects of Industrial Revolution on graphic design is the main focus issues. Different design movements will be represented with a comparative analysis. The main concern is to make links between the concepts, art movements, and historical events. The course ends with the First Things First Manifest which has been declared at 1964 by Ken Garland. With this critical point, students are expected to comprehend the changing role of graphic design.
HISTORY OF GRAPHIC DESIGN
Evaluation Tools (Active Term)
| Item | Type | Weight (%) |
|---|---|---|
| MIDTERM | Midterm | 30 |
| FINAL | Final | 40 |
| QUIZ-I | Quiz | 15 |
| QUIZ-II | Quiz | 15 |
| Total | 100 | |
Course outcomes
- 01 1- Review(4) the formal elements (e.g. line, color, composition, perspective, etc.) of works of art "
- 02 2- Demonstrate(4) fluency and understanding of the major historical movements, styles and developments in graphic design.
- 03 3- Identify(2) major works of graphic design from the time periods and cultures
- 04 4- Analyze(4) and critically respond to examples of graphic design
- 05 5- Apply (3 ) theoretical concepts to graphic designs
Course Syllabus
| Week | Topic |
|---|---|
| Week 1 | Introduction to the course |
| Week 2 | Origins of Visual Communication Prehistoric cave paintings, Cuneiform, Egyptian Hieroglyphics, development of the alphabet, early papyrus scrolls. |
| Week 3 | Medieval Manuscripts & Early Print Scriptoriums, Illuminated Manuscripts, block printing, woodcuts, Gutenberg’s movable-type printing press, Incunabula era. |
| Week 4 | Renaissance Graphic Design Venetian typography (Aldus Manutius, Nicolas Jenson), Humanist page design, French Renaissance (Claude Garamond), book design standards. |
| Week 5 | 18th Century & Industrial Revolution Transitional and Modern types (Caslon, Baskerville, Bodoni, Didot), steam-powered presses, lithography, rise of commercial advertising |
| Week 6 | Victorian Era & Art Nouveau Chromolithography, poster art (Jules Chéret, Alphonse Mucha), organic curves ("whiplash" line), integration of fine art and commercial crafts. |
| Week 7 | Midterm exam |
| Week 8 | Midterm exam |
| Week 9 | The Arts & Crafts Movement William Morris, Kelmscott Press, reaction against industrial mass production, revival of hand craftsmanship, private press movement. |
| Week 10 | Avant-Garde & Early Modernism Futurism (Marinetti), Dadaism (photomontage, radical layout), Constructivism (El Lissitzky, Rodchenko), De Stijl (Mondrian, Theo van Doesburg). |
| Week 11 | The Bauhaus & The New Typography Walter Gropius, Herbert Bayer, Jan Tschichold’s Die Neue Typographie, asymmetric layout, grid structures, functional minimalism. |
| Week 12 | Mid-Century American Modernism The West Coast vs. New York School, Paul Rand, Saul Bass, Cipe Pineles, editorial design, birth of modern corporate branding. |
| Week 13 | International Typographic Style Swiss Style principles, grid systems, Josef Müller-Brockmann, Armin Hofmann, development and impact of Helvetica and Univers. |
| Week 14 | Postmodernism & New Wave Wolfgang Weingart, April Greiman, punk visual culture (Jamie Reid), David Carson, deconstructionism, breaking grid rules. + The Digital Revolution Introduction of the Apple Macintosh, bitmapped typography, PostScript, early web design constraints, desktop publishing democratization. |
| Week 15 | Final exam |
Reference Books & Course Materials
- 01 Arntson, A.E., 2007. Graphic Design Basics. 5th ed. USA: Thomson-Wadsworth.
- 02 Aynsley, J., 2004. Pioneers of Modern Graphic Design, A Complete History. 2nd ed. Hong Kong: Octopus Publishing Group Ltd.
- 03 Meggs' History of Graphic Design, Fifth Edition. Philip B. Meggs, Alston W. Purvis
- 04 http://www.designhistory.org/
Learning Outcomes
- L01 1- Review(4) the formal elements (e.g. line, color, composition, perspective, etc.) of works of art "
- L02 2- Demonstrate(4) fluency and understanding of the major historical movements, styles and developments in graphic design.
- L03 3- Identify(2) major works of graphic design from the time periods and cultures
- L04 4- Analyze(4) and critically respond to examples of graphic design
- L05 5- Apply (3 ) theoretical concepts to graphic designs
Program Outcomes
- P01 The student chooses the design principles and can match the application
- P02 Students will be able to define national and international values in art and design
- P03 Students will be able to define abstract and concrete design concepts and express them in composition
- P04 The student can adjust the time correctly to complete his / her graphic application
- P05 The student matches the relationship between image and meaning
- P06 Students can express what they see by drawing
- P07 Identifies the traces, aligns, and calculates the hierarchy of typographic elements
- P08 Defines and lists art and design materials
- P09 Expresses an idea, concept or phenomenon visually in a creative way
- P10 Solves the design problems encountered in the process
- P11 Symbolizes concepts, situations, and objects in the visual context
- P12 Develops design projects by recalling basic graphic design principles
- P13 Applies technology effectively in the design process
- P14 Can think critically and question theoretical gains in the context
- P15 Relate the past, present, and future of design
- P16 Can perform original works related to the field and evaluate the results
- P17 Designs and produces different visual areas such as multimedia, advertising graphics, animation, new media, printmaking, and photography
- P18 Improves communication skills for teamwork
- P19 Can effectively discuss, criticize and form theory about the field
- P20 Student can organize paragraphs, single-column, multi-column and modular grids in book and magazine designs
- P21 Can plan collaborations with colleagues in interdisciplinary and multidisciplinary environments
- P22 Can associate written texts with visual images
- P23 Can observe and compare in the context of art criticism methods
- P24 Can apply legal regulations and procedures in the field
- P25 Be able to associate written texts with visual images
Po-Lo Matrix
| LO | P01 | P02 | P03 | P04 | P05 | P06 | P07 | P08 | P09 | P10 | P11 | P12 | P13 | P14 | P15 | P16 | P17 | P18 | P19 | P20 | P21 | P22 | P23 | P24 | P25 | Average |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| L01 | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L02 | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L03 | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L04 | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L05 | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - | - |