DOCUMENTARY PRODUCTION
- Course
- RTVC302 - DOCUMENTARY PRODUCTION
- Department
- Radio, Television and Cinema - English - Undergraduate
- Course Type
- Course
- Status
- Required
- Language
- English
- Credit
- 3
- ECTS
- 5
- T+P+L
- 2 + 2 + 0
- Course Coordinator(s)
- -
- Prerequisite
- -
- Keywords
Course Description
This course is designed to introduce the development of documentary film in terms of its history, its genres and its pioneers. Students will also consider the relation between reality and representation, and the distinction between fiction and documentary filmmaking. This course integrates the basic historical, theoretical and practical approaches to the basic techniques of documentary production in different mass media tools. The historical diversification and evolution of the documentary film and television will be emphasized in the course. With documentary demonstrations, discussions of sample documentary films, and out of class assignments, this course provides the fundamental theoretical knowledge and skills that are required for documentary production.
DOCUMENTARY PRODUCTION
Evaluation Tools (Active Term)
No evaluation items have been defined.
Course outcomes
- 01 Students will be able to define the fundamental aspects of documentary production.
- 02 Students will be able to recite the history of documentary.
- 03 Students will classify the core movements of documentary.
- 04 Students will be able to analyze the films of important names of documentary history.
- 05 Students will be able to identify the contemporary trends in documentary production.
- 06 Students will be able to define and interpret the difference between reality and cinematographic reality.
- 07 Students will be able to compare the characteristics of documentary and fiction.
- 08 .
Course Syllabus
| Week | Topic |
|---|---|
| Week 1 | Introduction |
| Week 2 | How Can We Define Documentary Film? |
| Week 3 | The Struggle With Nature: Robert J. Flaherty, "Nanook of the North" |
| Week 4 | Futurism and Dzigo Vertov's Kino-Eye: "Man With a Movie Camera" |
| Week 5 | John Grierson and the British Documentary Movement: "Night Mail" |
| Week 6 | Propaganda Films of the Second World War |
| Week 7 | Revision |
| Week 8 | MIDTERM EXAM |
| Week 9 | Direct Cinema |
| Week 10 | Cinema Verite |
| Week 11 | Ethnographic Cinema |
| Week 12 | Truth, History and Documentary, "The Thin Blue Line" |
| Week 13 | Documentaphobia and Mixed Modes: Micheal Moore's "Roger and Me" |
| Week 14 | FINAL EXAM |
| Week 15 | - |
Reference Books & Course Materials
- 01 Grant, B.K. & Sloniowski, J., 2014. Documenting the Documentary: Close Readings of Documentary Film and Video. Wayne State University Press, Detroit.
- 02 Nichols, B., 2010. Introduction to Documentary. 2nd Ed. Indiana University Press, Bloomington and Indianapolis.
Learning Outcomes
- L01 Students will be able to define the fundamental aspects of documentary production.
- L02 Students will be able to recite the history of documentary.
- L03 Students will classify the core movements of documentary.
- L04 Students will be able to analyze the films of important names of documentary history.
- L05 Students will be able to identify the contemporary trends in documentary production.
- L06 Students will be able to define and interpret the difference between reality and cinematographic reality.
- L07 Students will be able to compare the characteristics of documentary and fiction.
- L08 .
Program Outcomes
- P01 1. Recognized and applied all the learning tools and techniques learnt which they will implement throughout their lives and future careers.
- P02 2. Become confident in their knowledge and skills so that they can successfully study and work on their own.
- P03 3. Attained a high level of professionalism through the fundamental knowledge and skills gained in both marketing and digital fields.
- P04 4. Demonstrated a solid understanding of core business principles in the primary areas of digital marketing, web technologies, new media and management, as well as the interconnectedness of these disciplines in the running of an organization.
- P05 5. Been able to critically implement their knowledge and skills in both written, oral and digital forms to an intended audience, based on creative and analytical approaches.
- P06 6.Demonstrated their understanding of the ethical and protected use of various new media such as social media, mobile technology, web analytics, search engine optimization, and viral advertising in both their studies and careers.
- P07 7. Implemented best practices in business for planning, decision-making, and problem-solving based on collaborative work and studies.
- P08 8. Demonstrated effective communication skills in addition to in-depth of analysis and synthesis which are essential in multicultural educational and work contexts.
- P09 9. Demonstrated critical thinking characterized by the ability to define business problems with the evidence available, discern fact from opinion, determine underlying causes, formulate and evaluate potential solutions.
- P10 10. Been able to implement ideas and concepts through the development and creation of digital content for effective social media marketing strategies, and designing and evaluating the effectiveness of interactive web sites to increase web traffic flows, visibility, consumer satisfaction and response rates.
- P11 11. Embodied integrity in their work and actions, honor confidentiality, followed generally accepted codes of conduct in the digital marketing industry.
- P12 12. Devoted themselves to follow the codes of ethics, improve privacy issues with social media, conflict, and citizenship in order to frame a better understanding of digital marketing.
Po-Lo Matrix
| LO | P01 | P02 | P03 | P04 | P05 | P06 | P07 | P08 | P09 | P10 | P11 | P12 | Average |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| L01 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L02 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L03 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L04 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L05 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L06 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L07 | - | - | - | - | - | - | - | - | - | - | - | - | - |
| L08 | - | - | - | - | - | - | - | - | - | - | - | - | - |